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The Book of Night Women, by Marlon James
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From the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings
"An undeniable success.” — The New York Times Book Review
A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft.
- Sales Rank: #33859 in Books
- Brand: Brand: Riverhead
- Published on: 2010-02-02
- Released on: 2010-02-02
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.40" l,
- Binding: Paperback
- 448 pages
Features
- Used Book in Good Condition
From Bookmarks Magazine
By exploring the ferociously cruel and dehumanizing practices of slavery in Jamaica, James adds a new chapter to the history of human bondage in the Americas -- "a story we may dare to think we already know" (New York Times Book Review). Powerful and eloquent, The Book of Night Women is narrated in a lilting Jamaican patois that at once underscores and eerily conflicts with the disturbing images of violence and degradation that James conjures. Though the novel is filled with familiar figures -- dissolute masters, jealous mistresses, house and field slaves -- James never lets them devolve into cliches or ciphers; instead, he creates convincingly human characters. A stunning testament to the dynamics of ultimate power and powerlessness, Night Women will keep readers up at night.Copyright 2009 Bookmarks Publishing LLC
Review
“Both beautifully written and devastating…Writing in the spirit of Toni Morrison and Alice Walker but in a style all his own, James has conducted an experiment in how to write the unspeakable— even the unthinkable. And the results of that experiment are an undeniable success.”
— The New York Times Book Review
“The narrative voice is so assured and the descriptions so detailed and believable that one can’t help being engaged. This is a book to love. . . . The Book of Night Women is hard to pick up, even harder to put down . . . and it deserves to be read.”
— Chicago Tribune
“The Book of Night Women is a searing read, full of blood, tears, and the stench of misery. It’s barbaric and ancient, but also familiar in the ways that people, consumed by their differences and divisions, easily overlook all that binds them— the desire for independence, the right to a civilized life, and the need to give and receive love.”
— The Boston Globe
“The Book of Night Women is not merely a historical novel. It is a book as heavily peopled and dark as the night in this isolated and brutal place. It is a canticle of love and hate.”
— Los Angeles Times
“[Marlon James] has carved strong and compelling female figures out of the harsh landscape of nineteenth-century British-ruled Jamaica . . . The Book of Night Women’s most poignant feature is James’s sensitive and layered treatment of the unlikely romance that blossoms between Lilith and her Irish overseer.”
— The Miami Herald
“When a novel casts a powerful spell, I find myself trying to locate where it got hold of me. I knew The Book of Night Women had me when I started waking at night to worry about its characters. . . . Enslave one people and all are trapped. That familiar concept wears flesh and bone in The Book of Night Women. It stands in the wake of Toni Morrison’s transcendent slave literature, and it holds its own.”
— The Cleveland Plain- Dealer
“James has given us an epic novel of late-eighteenth-century West Indian slavery, complete with all its carnage and brutishness, but one that, like a Toni Morrison novel, whispers rather than shouts its horrors.”
—Time Out New York
“The narrative voice, with its idiosyncratic inflections and storytelling warmth, will pull you into this outsized, marvelous account . . . James re-creates a world and brushes it with an element of the fantastic, but the emotions he conveys are all too real and heartbreaking.”
— Flavorpill
“If you pick up The Book of Night Women, you might lose a little sleep. The second novel from Kingston native Marlon James will have you flipping pages, thirsty for more story, late into the night. . . . Well crafted and beautifully written...it will stay in your mind for weeks to come.”
—BookPage
“Darkly powerful.”
—The Washington Post
“The Book of Night Women is a slave narrative, a story of rebellion, and a testament to the human heart in conflict with itself. It is a book of rip and rhythm. Of violence and tenderness. Of the healing glance in all the hatred. It reads like Faulkner in another skin. It is a brave book. And like the best, and most dangerous, of stories, it seems as if it was just waiting to be told.”
—Colum McCann
“Marlon James has written an exquisite, haunting, and beautiful novel, impossible to resist. Like the best of literature, The Book of Night Women deserves to be passed down hand to hand, generation to generation.”
—Dinaw Mengestu
“With The Book of Night Women, Marlon James proves himself to be Jamaica’s answer to Junot Díaz, Edwidge Danticat, and Zadie Smith. James imbues his lively, energetic prose and unforgettable characters with a precocious wisdom about love, race, and history that none of us has ever seen before, but that feels alive, even definitive, as soon as we’ve read it.”
—Colin Channer, author of The Girl with the Golden Shoes
“Marlon James’s writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel García Márquez.”
— Kaylie Jones, author of A Soldier’s Daughter Never Cries
“Pile them up, a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting.”
—Chris Abani, author of The Virgin of Flames and GraceLand
“[An] epic narrative . . . as lyrical as it is hypnotic, even in the most violent passages.”
— The Independent
“A very nearly perfect work; an exquisite blend of form and content. . . . He bestows on the slave account authenticity and authority.”
— The Toronto Globe and Mail
About the Author
Marlon James was born in Jamaica in 1970. His most recent novel is A Brief History of Seven Killings, which was shortlisted for the 2015 Man Booker Prize. He is also the author of The Book of Night Women, which won the 2010 Dayton Literary Peace Prize and the Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction and an NAACP Image Award. His first novel, John Crow’s Devil, was a finalist for the Los Angeles Times Book Prize for first fiction and the Commonwealth Writers’ Prize and was a New York Times Editors’ Choice. James lives in Minneapolis.
Most helpful customer reviews
103 of 104 people found the following review helpful.
Freedom Cometh With The Night
By Mocha Girl
Marlon James's latest novel, The Book of Night Women, opens with an immediate ominous vibe as a much-too-young 13 year-old child dies giving birth to a green-eyed daughter (Lilith) in a dirty, old shack. Merge this unfortunate beginning with the hard living and harder dying on a late 18th century Jamaican sugar cane plantation populated with slaves named after characters portrayed in Greek tragedies and James delivers an intense novel steeped in history, mystery, with a touch of mysticism.
At its core, this is a historical novel narrated by the slave, Lilith, and an unknown voice (which is revealed at the end) in heavy Jamaican patois and broken English. Orphaned at birth, she is raised by the barren and cruel concubine-of-sorts, Circe, and the insane, but caring, Tantalus. Puberty brings unwanted attention and in a brutal act of self-defense, the pretty Lilith is ostracized and placed in Homer's care at the "big house." Drama and more trouble ensue as Lilith vies for the master's attention and affection foregoing Homer's warnings and advice. Homer and Lilith's dialogue and experiences reveal the inter-/intra-relationships and the complex hierarchical strata and blended culture among slaves (house, field, Johnny-jumper), whites (British, French, Irish, Creole, owners, and overseers), Maroons, and Africans (Ashanti, Igbo, etc.). Homer, understanding the power of superstition, practices myal and inflicts an obeah-inspired method of control and revenge across the plantation.
The Night Women are a group led by Homer, a natural leader and planner, who has been plotting revenge and a multi-plantation rebellion with other like-minded women on neighboring estates. Befriending and adding Lilith to the group causes consternation amongst the other women, including two who share her haunting green-eyes indicating a sisterly bond spawned by the same paternity. The plot thickens and twists as Lilith makes difficult choices (and have some made for her) as she grows into womanhood, negotiates the plantation politics, and evaluates her allegiance to friends, her heart, and her master.
Be warned, the novel is written in native patois which might be a bit hard to follow initially until the reader finds cadence in the pages. The language and imagery at times are a bit vulgar and are painfully and tearfully graphic. Nonetheless, James has penned a novel that is sure to place on my "favorites" list for 2009 releases. This novel offers page-turning intrigue, unpredictable plot turns, and colorful characters with authentic voices to produce an award-worthy novel.
Reviewed by Phyllis
February 23, 2009
APOOO BookClub
Nubian Circle Book Club
2 of 2 people found the following review helpful.
Good book but extremely graphic
By Emma P.
The book definitely keeps you on your toes. I personally stopped reading the book halfway through because it was no longer a joy to read. The plot gets more and more exciting as the story reads on but the book is extremely graphic. I understand the author's need to incorporate violence to give the reader perspective of the time period, but there was way too much horrific torture/violence I just no longer felt the desire to read it. I am honestly torn because the book is well written and I am dying to know what happens next, but it was hard to put the images of the book out of my mind (which I am sure is what the author wanted). If you don't mind violence or just want a good honest depiction of the daily horrors of slavery, the book is very well written.
2 of 2 people found the following review helpful.
Brutal, but Haunting
By T. Adlam
On a Jamaican sugar plantation, a slave girl is born--cursed, some would say, since she had bright green eyes, like a cat, and her mother didn't survive the birth. The girl is named Lilith and 'The Book of Night Women' is all about her (de)evolution--and what an evolution it is. (Actually, the overarching story ends up being bigger than the evolution of Lilith, but it wears that as a guise.)
First thing that needs disclosure is that this book is a difficult read, syntactically speaking, unless you're accustomed to Jamaican Patois--even if you are, there may still be some stumbling blocks--because the entire book is written in heavy dialect.
Second thing that needs disclosure is that this book is explicit in language and brutal in rendering. If you have a weak stomach when it comes to slavery and its ills (i.e. torture, r.a.p.e, lynching, wanton misbehaviour, so forth), you will heave, possibly vomit, and have nightmares. Thing is, while brutal, I have no doubt it was a near accurate rendering of the time period.
Without disclosing too much of the story, I'll say Marlon James is a bit of a magician. He was able to immerse me so utterly in the time period and setting that I had to put the book down a few times just to get my bearings and maintain my sanity. He also gave me every reason to despise a particular character (several actually), but made me shed a tear for that character near the end. It left me feeling as though I were the one with Stockholm syndrome. And the ending--it was a nice touch, very poignant, and provided a plausible explanation for some of the story's inconsistencies.
The book, however, wasn't without weakness, mainly with some characterizations. The primary characters were well crafted, but some of the secondary characters--specifically, several women in the 'night women' group, blended together. I found myself asking more often that I should, which one was she again? And the story builds slowly--it took several chapters before it took shape. Once that shape emerged, however, the book was difficult to put down.
There are no saintly characters--many are difficult to like at all--but they felt real; the prose and some references might be difficult for non-native speakers; and the story builds slowly (you'll need to actively will yourself to stick with it), but the story does turn out to be a compelling one. Overall, I'd selectively recommend this book because it's not for everyone, but it stayed with me for several days after I finished (and will likely stay with me for a lifetime).
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